Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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CARPACCIO, Vittore
Triumph of St George (detail) dsf

ID: 05893

CARPACCIO, Vittore Triumph of St George (detail) dsf
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CARPACCIO, Vittore Triumph of St George (detail) dsf


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CARPACCIO, Vittore

Italian High Renaissance Painter, ca.1450-1525  Related Paintings of CARPACCIO, Vittore :. | The Arrival of the Pilgrims in Cologne d | The Baptism of the Selenites dfg | Triumph of St George (detail) dsf | Departure of the Pilgrims (detail) sdf | Martyrdom of the Pilgrims and the Funeral of St Ursula (detail) |
Related Artists:
Joseph wright of derby
1734-97 English painter. He painted portraits, landscapes and subjects from literature, but his most original and enduringly celebrated works are a few which reflect the philosophical and technological preoccupations of the later 18th century and are characterized by striking effects of artificial light. He was the first major English painter to work outside the capital all his life: apart from spells in Liverpool (1768-71), Italy (1773-5) and Bath (1775-7), he lived and worked in his native Derby, though exhibiting in London at both the Society of Artists (1765-76, 1791) and the Royal Academy (1778-82, 1789-90, 1794).
Richard Earlom
English Printmaker, 1743-1822,English printmaker. Taught by Giovanni Battista Cipriani, he worked in mezzotint, etching and occasionally stipple. His mezzotints of flowers and still-lifes, such as Roses for the Temple of Flora (1805) by Robert John Thornton (?1768-1837) or the Fruit Piece (see Wessely, no. 145) after Jan van Huysum, are also found printed in colours or coloured by hand. Earlom's most influential prints were a set of outline etchings combined with mezzotint of the volume, then belonging to the Dukes of Devonshire, of Claude's drawings of his own landscape paintings
Marie Laurencin
French Painter, ca.1885-1956 French painter, stage designer and illustrator. After studying porcelain painting at the Sevres factory (1901) and drawing in Paris under the French flower painter Madelaine Lemaire (1845-1928), in 1903-4 she studied at the Academie Humbert in Paris, where she met Georges Braque and Francis Picabia. In 1907 she first exhibited paintings at the Salon des Independants, met Picasso at Clovis Sagot gallery and through Picasso was introduced to the poet Guillaume Apollinaire. Laurencin and Apollinaire were soon on intimate terms, their relationship lasting until 1912.






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